Mentor program: Art & Storytelling spring 2019 with Cheryl Newman & guestsSign up Bilder Nordic School of Photography is proud to present the fourth version of the mentor program ART & STORYTELLING with the renown photo editor Cheryl Newman and a team of inspiring guests. The workshop is aimed to you who need guidance in forming a professional portfolio with a distinct photographic identity or are working on a long-term project that needs a final presentation. In addition, the workshop will prepare you to get in touch with photo editors to secure your assignments. For norwegian version – click here This workshop is meant for photographers with work experience, people with an education within photography or very experienced enthusiasts. You should have a solid amount of work and a desire to advance to an international professional level. The workshop is not genre-defined and can also suit you who are in the process of a long-term project where you need guidance in further development and presentation forms. The mentor program covers two different angles; the photographer and the photo editor. From the perspective of the photographer you’ll go through themes ranging from selection of portfolios and platforms to how to plan and prepare for your first meeting with a photo editor and how to handle possible rejections. From the perspective of the photo editor, you’re focusing on finding a niche, developing a distinctive style and getting your work published, as well as a realistic approach to marketing strategies, estimating projects, and working with customers. This is a unique opportunity to reshape your portfolio in a manner that qualifies for viewing in international portfolio reviews and professional venues as well as preparation before referring to important industry contacts. I came to the Mentor programme with a huge portfolio – perhaps 5 years of unedited work. The help, advise and input I received from Cheryl Newman and Marcus Bleasdale both conceptually and practically was invaluable and a revelation to my artistic practice. They are both in touch with the photography industry internationally and together we edited a new portfolio. Following the programme I continued to work with Cheryl. We first made a trip to Copenhagen to meet with galleries where she introduced me to interesting people within the art and photography business. Then in 2016 she contacted me to say that she had found a gallery that was very interested in my work (what a nice mail to get!). In May 2016 I was invited to submit work to FIXphoto via LA Noble Gallery in London. This was a high profile exhibition during Photo London at The Barge House Gallery on London’s South Bank. From this exhibition I am now delighted to be represented by Laura Noble in the UK. The group of dedicated photographers I met in the mentor program was also a very positive experience. I made many new friends whom I keep in contact with both in Oslo and London. – Einar Sira, participant of the mentor program spring 2015 The workshop runs over three months in spring 2019, with four mentoring weekends from January 19th to April 28th. We start off with an intense kick-off weekend where you present your current portfolio and analyze strengths and weaknesses as well as set a goal for the workshop. During the workshop you will be encouraged to shoot new material to strengthen parts of your portfolio and get feedback on this. Along the way you will meet several exciting guests; both Norwegian and international photographers and industry actors (more info coming soon!). You will work to further develop a distinctive personal style, as well as present your work both digitally, online and on print. The closing weekend is used to complete a professional portfolio in book form that meets the requirements for meeting professional image actors in the international market. What kind of portfolio do you need? How should you build the right style and image range for your portfolio? How do you get assignments based on your photographic identity? What kind of platform should you present your work on? What images are photo editors expecting to see? How do you get a meeting with the photo editor? How to choose a marketing strategy? If these are questions you want answers to, this is the workshop for you! About Cheryl Newman Cheryl Newman is an independent photographer, curator and consultant living in London. She is a Fellow of the Royal Photographic Society and Chairman of the prestigious RPS Photographic Awards. For more than fifteen years she was the photography director of the Telegraph magazine where she raised the profile of the magazine commissioning intelligent and inventive photography worldwide. She is a contributing editor and writer with PYLOT magazine showcasing art, fashion and documentary analogue imagery. She has served as a jury member for numerous photographic awards globally and a regular speaker on the photo circuit in the UK, US and Europe. Currently she is commissioning and curating, ‘We Feed the World’, a photographic project documenting agroecology globally. The exhibition will premier in London in April 2018. Cheryl is a nominator for the Deutsche Borse Photography prize and consultant and judge for the Moran Photography Awards, Sydney, Australia. Cheryl is the 2019 Curatorial Director of PondyPHOTO, an international public art, photography festival in Pondicherry, Tamil Nadu, India. The mentor program I run in conjunction with Bilder Nordic is unique within Norway. As an editor, writer and educator of photographer my experience within the industry is exceptional. The 15 years I spent as photography director of the award-winning Telegraph magazine has given me access to many of the worlds most renowned photographers, publishers and gallerists and my work as both a curator and artist has enriched my experience within the photographic community. The program we have developed is rich, rewarding and most of all flexible in its approach to allow the artists to develop their practice in a challenging and supportive atmosphere. The photographers can expect honesty, enthusiasm and commitment from me and I would expect them to be able to take gentle criticism when necessary, be open-minded and to take suggestions on board. Through the weekend workshops we will look at many aspects of photographic practice including; photographic genres and where I fit, how to edit and sequence your work, the complexities of the photographic print, working towards a photo books, how to reach an audience, creating a great website, how to survive in the marketplace, ethics and why you need them, new funding models and grant applications, commercial collaboration, and the editorial market. But primarily we will dig deep into who you are as an artist and fundamentally improve and enrich your practice. With support from international guests, including photographers, publishers and gallerists this is a motivational, exciting and fun experience for the practicing photographer and a life changing experience for the enthusiastic amateur. I am very excited to work with photographers developing on long-term projects in an environment of mutual respect. – Cheryl Newman Guests The mentor program involves several formal international guests, as well as several informal local guests. More information about the formal guests is published on a continuous basis. Jane Hilton Jane is a photographer and filmmaker whose work brings to our attention the extraordinary realities of ordinary people’s lives and is renowned for her work documenting American Culture, in particular the American West, which she has explored for the past twenty-five years. Her monographs include «Dead Eagle Trail» (Schilt Pub, 2010) depicting the lifestyle of the twenty-first century cowboy; «Precious» (Schilt Pub, 2013) featuring intimate nude portraits of working girls in Nevada; and most recently «LA Gun Club» (self-published, 2016) exploring American Gun Culture with a collection of unique ‘shot up’ target posters. Jane is fascinated by subjects that are legal but not socially acceptable. In 2000 she was commissioned by the BBC to make a series of ten documentary films about two brothels in Nevada; «Love for Sale», the only state in America where prostitution is legal. Most recently she has spent the last two years filming the ‘The Last Lion Tamer’ following a family’s fight to save their lifestyle as the government intends to ban all wild animals performing in circuses. Shoair Mavlian Shoair Mavlian was an assistant curator at Tate Modern, London, focusing primarily on photography. Since 2011 she researched acquisitions for the international collection whilst curating exhibitions and displays across the museum. She curated the major exhibition The Radical Eye: Modernist Photography from the Sir Elton John Collection (Tate Modern, 2016), and Project Space: A Chronicle of Interventions (Tate Modern and TEOR/éTica, Costa Rica, 2014) Shoair has a background in fine art photography practice and the history of photography focusing on the twentieth century. She has a strong interest in photography relating to conflict and memory and emerging contemporary practice. Her independent writing is regularly featured in magazines and recent publications include Shape of Light: 100 Years of Photography and Abstract Art (forthcoming) and The Radical Eye: Modernist Photography from the Sir Elton John Collection (2016). She is now Director at Photoworks; the UK’s leading development agency dedicated to photography. Laia Abril Laia Abril (Barcelona, 1986) is a multidisciplinary artist working with photography, text, video and sound. After graduating from college with a degree in Journalism she moved to New York to attend photography courses at the ICP. There she decided to focus on telling intimate stories which raises uneasy and hidden realities related with sexuality, eating disorders and gender equality. In 2009 she enrolled in a 5-years artist residency at FABRICA, the Benetton Research Centre in Treviso, Italy, where she worked as a creative editor and staff photographer at COLORS magazine. Abril’s projects are produced across platforms as installations, books, web docs, and films. Her work has been shown internationally in the United States, Canada, the UK, China, Poland, Germany, Holland, Switzerland, Turkey, Greece, France, Italy and Spain. After completing her five-year project On Eating Disorders, Abril has embarked on the new long-term project, A History of Misogyny. Its first chapter On Abortion (Dewi Lewis, 2017) was recipient of an Honorable Mention at Photo España Best Book Award and is shortlisted for the Paris Photo-Aperture Best Book Award. Currently Abril is developing the next chapters, On Rape Culture — recipient of the Visionary Award from Tim hetherington trust and Mass Hysteria — current nominee of the Prix Elysée. Program 23rd – 24th of February / Kick-off weekend with Cheryl Newman / Guest: Jane Hilton Saturday 23rd of February: 10.00 – 18.00 Sunday 24th of February: 10.00 – 18.00 23rd – 24th of March / Mentoring weekend with Cheryl Newman / Guest: Shoair Mavlian Saturday 23rd of March: 10.00 – 18.00 Sunday 24th of March: 10.00 – 18.00 27th – 28th of April / Mentoring weekend with Cheryl Newman / Guest: Laia Abril Saturday 27th of April: 10.00 – 18.00 Sunday 28th of April: 10.00 – 18.00 1st – 2nd of June / Final weekend with Cheryl Newman / Guest: TBA Saturday 1st of June: 10.00 – 18.00 Sunday 2nd of June: 10.00 – 18.00 Practical information NEW DATES Kick-off weekend February 23rd – 24th Mentoring weekend March 23rd – 24th Mentoring weekend April 27th – 28th Final weekend June 1st – 2nd Detailed program in the end of the page. Location Bilder Nordic School of Photography, Nedre Vollgate 8, 0158 Oslo Fee NOK 15 000,- Maximum participants 10 Sign-up To secure your seat on the mentor program you’re required to upload your portfolio. When you’ve signed up through the button in the header you’ll receive an automated email with instructions to finalise your registration.